My character flaw
I just noticed one of my (yes, many, I'm sure) character flaws. When I'm creating characters, I don't create *enough*. I've heard that adding too many characters at once is a common writing problem, but I end up with only two alone for long periods of time.
Example: before myhiatus total abandonment* of Butch & Spike, I'd realized that I had to add more characters, because I had two main characters (three if you count the horse) and only one of them could talk. This made dialogue and plotting a bit difficult. I actually have scripted out the next 20 or so strips, where I start remedying this problem, but who knows when they'll see the drawing table.
Recently I was possessed of the odd writing demon and worked a bit on Marik & Vaer's story, which falls prey to the same problem -- two people, on the run, ho hum, not nearly enough to mix it up. Incidental others whom you don't connect with. Last night I realized that the first repair to this was to have Leif, Marik's body-guard/foster-brother/best-friend/former-lover, run off with them. Hooray, extra interpersonal interaction, more dialogue opportunities!
But... Leif has no tongue.
What is my obsession with characters who can't talk?
Granted, Leif is a fairly fleshed out character, a character whom I really like, and he's fairly eloquent with his shrugs. There's a lot of unexplored intensity there, in fact, and having him along will give me more chance to explore it. For a wild moment last night, I wondered whether I should be telling the story from Leif's point of view -- hell, I've already changed PoV characters once, I could do it again! But for now, I think not.
I'm did start writing his back story from his view, while I was at work, though I might have lost what little I did. Hopefully it shows up in draft e-mail, because I really like Leif, and he deserves some story.
*It's not theoretically abandoned, it just looks that way for all practical purposes.
Example: before my
Recently I was possessed of the odd writing demon and worked a bit on Marik & Vaer's story, which falls prey to the same problem -- two people, on the run, ho hum, not nearly enough to mix it up. Incidental others whom you don't connect with. Last night I realized that the first repair to this was to have Leif, Marik's body-guard/foster-brother/best-friend/former-lover, run off with them. Hooray, extra interpersonal interaction, more dialogue opportunities!
But... Leif has no tongue.
What is my obsession with characters who can't talk?
Granted, Leif is a fairly fleshed out character, a character whom I really like, and he's fairly eloquent with his shrugs. There's a lot of unexplored intensity there, in fact, and having him along will give me more chance to explore it. For a wild moment last night, I wondered whether I should be telling the story from Leif's point of view -- hell, I've already changed PoV characters once, I could do it again! But for now, I think not.
I'm did start writing his back story from his view, while I was at work, though I might have lost what little I did. Hopefully it shows up in draft e-mail, because I really like Leif, and he deserves some story.
*It's not theoretically abandoned, it just looks that way for all practical purposes.