shadesofmauve: (Default)
I've circumvented oddness with LJ and zenphoto produced URLs from the ZenPhoto end. BONUS: Cruft free URLS!

Let's try this again...
Muskox
Reindeer
Polar Bear

They're available as 8.5" x 11" prints. $8 for one, or $20 for the set, plus shipping ($4 in the states, ask me about elsewhere). Until I get something more official set up, that'd be paypal to sarahATskellingtonartDOTcom, with a note of your address and which you want.

I've got a very nice printer and print on high quality matte paper. The 8.5x11 prints will be sized so that the image fits in an 8x10 (I can trim the print to 8x10 if desired).
shadesofmauve: (Default)
I've posted the last three years worth of News Years card animals over at www.skellingtonart.com.

Muskox (2009)
Reindeer (2008)
Polar Bear (2007)

Hie ye hither!
shadesofmauve: (Default)
Always keeping a sketchbook handy means being able to go back to one filled years before, stare at the slightly faded image for awhile, and exclaim,

"Oh, probably pronghorned canteloupes."

I have little recollection of drawing this picture, but I can assure you that they're happily leaping through the veldt.
shadesofmauve: (Default)
..and the first job waiting for me is a pile of Wizard of Earthsea posters for me to sign.

Fame is surreal.

Even teeny tiny fake fame.
shadesofmauve: (Default)
On Thursday, Ursula K. Le Guin saw the art I did to promote her appearances in Olympia and Aberdeen, and on Friday, I met Ursula K. Le Guin.

[livejournal.com profile] westrider, Erik and I went to see her read from A Wizard of Earthsea and speak (She has a lovely reading voice, btw). Peter and I hung about afterward to get things signed while Erik hunted down vast quantities of ice cream.

First, one of my coworkers pulled me out of line, and shouted that I had done the original artwork used for the posters. People asked me to sign them! And they weren't giggling or anything!

Then the TRL executive director pulled me up to the front to introduce me to Ms. Le Guin. I told her what I've been telling everyone:

This job was a chance for an author I really admire to hate my art.

"Well, you failed."


Um...squee?

Not wanting to hold up the long line with books to sign, I joined [livejournal.com profile] westrider back at the end of the line. Signed a few more posters, too. :) When we got 'round to the front again there weren't many people left, so I actually got to chat with her a bit, explain that I HAD read the book* and I knew the otak was dead before Ged had Lookfar ("Of course, it's artistic license!"), say that I'd gotten in trouble for reading her work when I was supposed to be reading something else in 7th grade, and generally try to contain the fangirlishness.

I met Ursula Le Guin, and she liked my art. Giddy does not begin to describe it.


*Multiple times, and most recently with a notebook for keeping track of visual clues.
shadesofmauve: (Default)
Someone who collects antique glass marbles should NOT have this much trouble painting what is basically a glass orb.

Fricking sheep helmets.

On t'other hand, I finished Erik's birthday painting last week, and it looks pretty decent for an experiment! Only a month late, too!
shadesofmauve: (can we fix it?)
So, I've been hiding some amazingly exciting news.

Timberland is having it's "Timberland Reads together", one-book focused program on A Wizard of Earthsea. Author Ursula Le Guin will be reading and taking questions. We couldn't get responses from any publishers on using cover art for publicity, so the Powers That Be decided I could draw whatever we needed.

A once-in-a-lifetime chance for a famous author I admire to hate my art!

I'm thrilled, terrified, and having a problem with physics versus composition. Please weigh in! This is a prelim sketch for a painting, so it's rough and blocky.

Pictures behind cut )
shadesofmauve: (baby)
To-Do lists are usually irish polkas, in that they're made up of fairly simple items that go by incredibly fast. If your to-do list is a four part reel or a slip jig, woe betide you.

Fiddletunes is behind me, I have no free evenings to myself for the forseable future, my laptop won't power up, and I'm feeling not exactly overwhelmed, but somewhat a-sea.

For the sake of internal clarity )
I'm not despairing - in fact, I'm pretty damn perky. But I still don't know how I'm going to get anything done. Having the laptop fail is really the icing on the cake -- hopefully Dad or I can get it working. Failing that, I'll take it to fourth dimension, and if I can't figure something out in the next few weeks, Erik said he'd loan me his.
Thankfully, since I just did that round of reformatting a few weeks ago, everything is happily backed up on an external hard-drive.

With regards to money, if anyone knows of someone looking for fiddle lessons in the greater Olympia area, I'll take anyone who's touched a violin before.

In unrelated news, Otter's Holt (Dad, Gerald, and I) has a gig this Saturday! (not public).
shadesofmauve: (Default)
An idea's been wallowing in the back of my brain for awhile now, an idea about a near future earth where music and art has been critiqued out of existance, where no one creates any more. It's about the outcasts who recreate creation, who make music, art, dance, and in so doing, intentionally or not, lure away the children of the masses.

They live, at least at first, in an old, closed-down theatre called The Hamlin.

It came to me all at once at Folklife a few years back, and since then I've done nothing with it. On Tuesday I remembered it, and I remembered it at the same time as I remembered that Erik and I had talked about doing some kind of worldbuilding project together (Calenthe is far too much mine for me to ever share). I haven't worked with Hamlin enough to really feel posessive, and it's really about everyone being capable of some kind of creation - I picture it as being open to all sorts of music/art/novel/comic contributions once the stage is set - so it seemed pretty perfect for a joint venture.

He liked it too! In half an hour on the phone we came up with different ideas about the world, three or four character concepts, internal and external conflicts -- now, why I am I sitting here at work when I could be creating?
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After the tropical cyclone devestated Myanmar, Laura Bush "...criticized government leaders for not warning citizens about the storm." Now, obviously it doesn't phase her, but if I was remotely connected to the bush administration, the last thing I would criticize another country for is their storm preparedness. Note: This does not in the least mean that I think Myanmar's military regime is clean and squeaky.

[livejournal.com profile] pharyngula, normally ready to point out the follies and bizarre credulities of Creationists, bemoaned ridiculous new-agie mumbo jumbo in Portland - without apparently checking up enough to see that the whole thing is a conceptual art project, and a pretty damn good one. About half the commenters start foaming at the mouth, but a few stay sane. Abysmal lack of fact checking due to too much anti-CAM credulity, or poor reading comprehension? I'll overlook it this once since it's finals weeks and one can't expect professors to be sane during finals week.
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Sheep in Space paintings are now on display down at The State of the Arts in Olympia, Washington (right across from Wind Up Here, on the same block as the performing arts center). Deb was great, helping me out with pricing and, well, just liking my stuff and providing a spot for it. She sent out a new artist announcement to her customer base and everything!

I did get everything named, with the help of friends and family. Prints will (eventually) be on the way to [livejournal.com profile] westrider and [livejournal.com profile] padparascha, for naming and helping inspire the name of The Dark Sheep of the Moon, [livejournal.com profile] bluwyngz for Wool Cycle, Gwen of Olympia Art and Frame for Ewe're It, and several to my family. I have to play around with the printer and color levels before I'm happy enough to send them out, though.
shadesofmauve: (Default)
Ladies and Gentlemen, I have for your perusal several fine specimens of the Ovine persuasion, who feel themselves lost, adrift - bereft of identity.

I need names for these sheep. I need them by the first week of March, so that I can have them ready to bring to a gallery. I'm looking for funny, silly, cute sobriquets or captions.

"What's in it for me?" I hear you ask. Besides my undying appreciation, a PRINT! If, after my highly subjective and no-doubt alcohol fueled judging process, I decide to use a name which you suggested, I shall send a high-quality print of the named piece(s) to your domicile.

The flock )

It might not be speedy (sheep aren't, as a rule) - I won't send out a print until I'm happy with the quality. I certainly won't be making any from these snapshots (currently I'm leaning towards paying my good neighbor Steve over at Vento Photographyto make the dig files - he makes my art look good.

Only two pieces already have names - "Stargrazing" and "I don't know - how did you get here?" If that helps you out any.
shadesofmauve: (Default)
This morning I showed some of my space sheep to Deb, the owner of State of the Arts, a gallery in downtown Olympia. My watercolorist friend Eric (Nancy's husband) facilitated the introduction and encouraged me to follow it up.

And...

She thinks they're adorable, and wants me to get a bunch hang-ready and call her at the beginning of March, which is when she'll be planning the next show! This is a working gallery - stuff needs to be reasonably priced and able to sell - so it's not like a gala show or anything. She said she'd like to put a few up in the display windows and test market 'em.

People LIKE my sheep! And I haven't even painted any lambs yet! Or black holes! Or rams! The possibilities are practically astronomical!

Of course, there are difficulties. Getting sheep painted and hang-ready by early march? No problem! Getting my website decent so I can capitalize on publicity? Ah, there's the rub...any MySQL/php geniuses out there?
shadesofmauve: (Default)
Since so many of you...er, a few of you....er, [livejournal.com profile] bluwyngz...have asked what I've been up to artistically lately, here you go! Hot off the drawing/painting table, finished within the hour, 5"x7" acrylic.

BEHOLD! MY OPUS! )

I really need to do some coding, and I'm really looking forward to installing KotOR, and I suppose I ought to eat soon, but I'm going to go start another painting instead. Boo. Ya.


EDIT: Apparently phalo blue doesn't come out of carpet.
shadesofmauve: (beer)

uploaded by Zkellington.

I am a pumpkin carving purist.

I was raised in the true art. You have not seen pumpkin carving until you have seen my father's visions rendered in squash. I was taught to use any and all carving tools available, but never to stoop to such cheap tricks as paint. Oh, yes for some shows and crowd-pleasers dad played with leaves and dye and gourds, but for the pumpkins outside our door on Halloween night only the true, subtractive carved pumpkins would do.

My efforts this year shame me. Nay, don't coddle, it's true - the right pupil was not described by careful removal of excess in the manner of my ancestors. No, the iris was crudely hacked-out and the pupil affixed with, I can barely say it, a toothpick. I have stepped into the realm of additive pumpkin carving, and sullied my family name.


Totally borked the ears, too.



EDIT: My ancestor drove by and told me that I learned well, and he used toothpicks, too! I AM REDEEMED!
shadesofmauve: (Default)
It's that perfect crisp shiny kind of autumn day, and I took myself, some postcards bound for Japan, and a few frame-less art pieces downtown to run errands. My print of Hangover by Justin Hillgrove is now at the shop awaiting it's frame, and my wallet is $50 lighter (it would have been $100, but I had a gift cert for acting as shop translator awhile back). Now I go to the website and see that he's offering stretched canvas giclee for $100 - damn, I could have had a limited run hangable pieces for less than my little paper print will have cost to frame. Oh well...

I also stopped in at Radiance while I was downtown. I didn't mean to, but on the way from the post office to the bus station I walked by Jefferson and Legion, and therefore Planned Parenthood, and every single corner was staked out by multiple people on both sides of the abortion debate. The shock of the mutilated fetus pictures was such that I immediately had to run to the most feminist, goddess-worshiping, lesbian-owned shop in town and spend upwards of thirty bucks, just to bring my day back into balance.

Seriously, though - I feel really sorry for the PP patients, especially the ones there for other services. Come on, people - the majority of people there are getting their bc prescriptions, annuals, and STD checks, and they have to walk through THAT. For the record, I'm anti-abortion but pro-choice, which is to say that I think it's nasty but should be legal. Really, we ought to be focused more on avoiding the whole unwanted pregnancy thing entirely, but that wouldn't have gone over well on the street-corner (I'd have more sympathy with the anti-abortion protesters if they were PRO birth control, and if they weren't, y'know, such god-awful jerks).

Bile aside, I saw Celia (of the days of yore at Columbia street session) in Radiance and Erik in Otto's (He came out from behind the counter to hug me, prompting the other lady in line to complain that he never hugged HER. So he did. I think she was a bit surprised...). He has a car now and pointed out gleefully that he could abscond with me. Wish more people threatened to abscond with me...

So that's a beautiful day, a nice walk, and chance encounters with two friends, none of which I would have enjoyed if I'd had a car.
shadesofmauve: (Default)
Nancy brought yet more kittens in to work, so as usual, I picked one out, bonded with it, and then couldn't take it home. This time I grabbed the most feral of a feral bunch, back up and hissing, because I figured it needed some enforced socialization. A few hours later it was purring inside my jacket, nibbling at my fingers, and sticking it's head out for rubs and scritches. She still hissed at anyone else walking by, though.

Also, last night at the life drawing session the model was pretty cute. It was quite interesting as personal psychological study, though - apparently anticipation and suspense is even more important than I thought, 'cause 'quite cute' really wasn't that intriguing when I first saw the guy sprawled out starkers. It was just kind of a fact.

He did get the peter rabbit reference about my jacket, though. Have to give 'im credit for that.
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This weekend...

I pretty-much finished a painting I've been working on for years, which already has a buyer lined up.

I finished and delivered a postcard/invitation design  job.

I did some figure-drawing (from photos).

I attended a Jason Webley concert and left with CDs.

I went on a couple-hours long bike ride.

I regrouted half the kitchen counter.



Of course, when a client called late Sunday night to say she was concerned with how little progress I'd made on her project, it was THE project I hadn't worked on all weekend. Can't win 'em all...
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I went dancin' in Seattle, talked to Luke (forgot to get an e-mail, damn!), visited Em's cat, and made it back to Oly in time to beat my folks' to the market, even though I started in Seattle and took the city bus. Boo. Ya.

On Sunday Brad* and I went down to Tenino and biked the Chehalis-Western almost to Lacey and back. It was really, amazingly nice to get in some riding that wasn't a commute, and my legs didn't complain the next day at all - they thanked me. Clearly, I need to be pushing myself a bit more if I want an energy pay off. Brad's good company, and we were on trails instead of the road, so it was relaxing.

Got back from the ride and scooted out to Tolmie to meet my folks' and the Zilks (after dealing with a mad, undeniable post-bike donut craving...I am ashamed), had a picnic, and did a tiny bit of kayaking. Doozer and I got really close (18 inches or less) from a bunch of little sand-piper-y guys.

The picture of Stella and the violin painting are coming along. It'll be a push to finish them before I leave for Japan, but totally possible. I'm NOT ready to leave next Friday, though! I'm not entirely sure what I need to do to be ready, but I'm fairly certain I haven't done it.

My grandparents are coming up next weekend and we'll be spending time with them, bob'n'wendy'n'twins, and celebrating their anniversary and my folks' anniverserary, so whatever I need to get done had better get done during the week.

*Why take emergency bike repair tools when you can take an entire mechanic?

Artz

August 10th, 2007 05:39 pm
shadesofmauve: (baby)
Immediately after I posted that long-ass project list, I sat down out in the sun and worked happily at a totally different, unlisted project, for an hour. That was kind of silly.

BUT, now I have a colored cartoon to work from for the my fishhook painting ("cartoon" in this case, is the sketch used as reference/exploration for a painting, not something by Disney). It's only a pale, poorly drawn imagining of what the splendid actual oil painting will be,* but [livejournal.com profile] bluwyngz has been asking me to put up some art, so here it is. )

The image came to me out of the blue one evening, then the details were inspired by the Yeats poem "The Song of Wandering Angus" -

I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;

And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.

When I had laid it on the floor
I went to blow the fire a-flame,
But something rustled on the floor,
And some one called me by my name:
It had become a glimmering girl
With apple blossom in her hair
Who called me by my name and ran
And faded through the brightening air.

Though I am old with wandering
Through hollow lands and hilly lands,
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done
The silver apples of the moon,
The golden apples of the sun.



*I HOPE.

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